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When Fantasy goes to retrieve the watermelon from the well, she finds Mac's disembodied head, which flies in the air and bites Fantasy's buttocks before she escapes. The encounter is initially disregarded by the other girls, but over time they also begin to encounter other supernatural traps throughout the house. After a tense dinner, in which personalities clash, the group is terrorized by a legendary local figure, the Tin Man. Armed with a shotgun, the Tin Man attempts to get into the Wayside Inn.
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In the prologue, the film depicts a panicky man who, for unknown reasons, murders his wife with a shotgun. The main storyline opens with Jack and Stephanie, a bickering young couple, who are lost while driving through the backwoods. We soon learn that they are on their way to meet a marriage counsellor. In the following subheading, I’ll talk more about the chronological order of the movies and if it even makes sense to order these films chronologically. Roger Cobb, a divorced horror novelist coming to terms with the disappearance of his young son, inherits an old mansion home to malevolent supernatural residents.
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Gorgeous tells Ryoko that her friends will wake up soon and that they will be hungry. The historic Jones Bay Wharf is another familiar filming location in Anyone But You. The hidden gem in the Pyrmont district is home to fine dining restaurants, charming cafes, and beautiful views the of the city and Harbour Bridge. Loosely adapted from Shakespeare’s “Much Ado About Nothing,” Anyone But You stars Glen Powell as Ben, a finance bro who has an incredible first date with Bea (Sydney Sweeney), a law student uncertain about her career.
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Now the heir to the Cobb house, Burke begins to pressure her into selling the estate. Despite her initial resistance, inexplicable paranormal events begin to take place within their home. Scaring her into consideration of the sale, she seeks the help of a Native American spiritual guide named Ezra. After conversing with the spirits that reside in the house, the old man reveals to Kelly and Laurel that the strange happenings are the attempts of a warning from the ghosts of Roger and a number of Native Americans. The Natives resided on the land prior to that of the Cobb family, and viewed it as sacred-natured. The couples escape the meat locker, but are unable to leave the house, which assaults them with terrifying visions involving their worst memories.
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It was released in December and had an impressive run at the box office, surpassing $88 million domestically and $219 million worldwide, according to Box Office Mojo. Forced to proceed on foot, Jack and Stephanie find the gothic Wayside Inn, where they try to phone for help. At the inn, they meet the occupants of the other car, the engaged couple Leslie and Randy. The new film was announced back in January 2023, with Sean S. Cunningham once again producing the piece.
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Anyone But You was filmed in parts of Australia around New South Wales and Sydney. Director Will Gluck told The Hollywood Reporter that he wanted the film set in Sydney because he had “really fallen in love with the city” and liked it so much he moved his family there. Now, Anyone But You is back in the limelight after the film was released on Netflix on April 23, quickly becoming the No. 1 movie on the platform in the U.S. after just one day. There are at least 45 sequels to Stuart Rosenberg’s 1979 horror drama about a family under siege by supernatural forces inside their home in suburban Amityville, Long Island. That’s more than the “Star Wars,” “Fast and Furious” and “X-Men” franchises combined.
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“Almost every time you shoot a movie in Sydney, you have to pretend it’s somewhere else and frame out the Opera House and the Harbour Bridge. ” We actually wrote this movie 100 percent for Sydney — very specific to the destination,” Gluck wrote. Fewer than 10 films make up the legit “Amityville Horror” canon, and even that number is up for debate. Like the word “Paranormal,” “Amityville” has become more of a low-effort synecdoche for generic possessions of things (“Amityville Vibrator”), holidays (“Amityville Christmas Vacation”) or locations (“Amityville in Space”). The films are mostly comedic, have micro budgets and have little continuity with the original. Keep reading if you want to find out, but keep in mind that there will be spoilers below.
In the end, he triumphantly glances back at the house while regaining control of his life and reunites with his wife and child. After his aunt's funeral, Roger decides to live inside her house to write instead of selling it, as recommended by the estate attorney. After moving in, Roger begins to have powerful graphic nightmares, including thoughts about his comrade, Big Ben, who died in Vietnam. In addition, strange phenomena spring forth from the house, haunting him in his waking hours.
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House also feels cheap -- made with bargain-basement effects (with Poland standing in for Alabama) and featuring cardboard characters. House is a great demonstration of the fact that good intentions don't always make for good moviemaking. Character actor Madsen is the biggest name in the cast, and he seems to be sleepwalking through his scenes. Robby Henson's direction is fairly pedestrian -- at one point, he scares viewers by having a chicken flap into the frame -- and the film's final twist is both unexciting and an obvious, weary, dreary set-up for a possible sequel. If your kids are mature enough for horror films, they can watch far, far better ones than House.
House was filmed on one of Toho’s largest sets, where Obayashi shot the film without a storyboard over a period of about two months. Years later, they unexpectedly reunite at a destination wedding in Australia for Bea’s sister, who is marrying Ben’s friend. When their exes show up, they pretend to be a couple—and the rest is history. The film was directed and co-written by Will Gluck, the filmmaker behind rom-coms like Easy A and Friends with Benefits.
However, I still recommend that you watch the franchise by release order, simply because that’s the order in which I’d rank the movies based on quality as well. For a film that was itself tight on days and money, Prospect House moves much smoother than the production it depicts. It's pacy and pertinent, with Dara Devaney, Barry Ward, and Ciara Ivie deftly double-jobbing as the misfit collective's central trio and the historical figures they're supposed to portray - in between the off-camera arguments. "An occupation to make a documentary about an occupation." That line amidst the on-screen chaos depicted in Prospect House is a nifty summation of what awaits the viewer in one of the more unusual Irish films of the year. Last week, The Sweet East was the option for those seeking something different, this week it's writer-director Paul Mercier's turn to step up and sidestep. After a tour of the home, the girls leave the watermelon in a well to keep it cold.
Roger begins to have flashbacks of Jimmy's disappearance, after spotting him getting pulled by something in the swimming pool. His aunt, prior to her death, claimed that the house itself took him. He tries communicating his fears to his next-door neighbor Harold Gorton who only thinks that Roger is crazy. In the morning, Ryoko arrives at the house and finds Gorgeous in a classic kimono.
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